内详

皮克斯打造《玩具总动员》系列衍生动画电影《光年正传》，美队（měi duì）ChrisEvans配音。讲述巴斯光年人类原型宇航员的起源故事（gù shì），他从一个年轻的试飞员，变为大家熟知的（de）太空游侠。

一群逐渐减少的德国士兵在艰苦的东线（dōng xiàn）战斗，以返回他们的战线。

克里斯托弗作为乘客登上一艘停靠在欧洲前往美国东海岸（dōng hǎi àn）的货轮后，他开始逐渐怀疑自己的理智（lǐ zhì）和对时间的理解。而在克里斯托弗与船员（chuán yuán）短暂邂逅后，他便开始融入到了船上（chuán shàng）的日常生活。——華堅馮力士

前联合国大使徐文珠（全智贤饰）和神秘特工白山（bái shān）湖（姜🫚栋元饰）因总统候选人枪杀案意外卷入暗战（àn zhàn）漩涡，随着两人感情同危机升温，真相就如（rú）暴风般逐步逼近。

《保龙一族之五音镇魔曲》讲述了四个皇家（huáng jiā）护卫为了侦破宫廷失踪案、找寻迷妹公主的旅途（lǚ tú）中，遭遇一系列惊险却又妙趣横生的爆笑经历（jīng lì）。影片在一波三折、不断反转的剧情中，创意地（dì）融合了东西方的表演形式，爆笑无厘头再次升级（shēng jí）。一言不合就尬起舞，分分钟就捧逗哏，力图为（wèi）观众打造笑果十足的观影体验。此次影片在（zài）制作方面也是不断升级，各种古代歌舞场面（chǎng miàn）打斗场景让人应接不暇，以此打造全新武侠轻喜剧（qīng xǐ jù）！

A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. 　　"Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] 　　J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 　　2013 Julia (doc) 　　2011 House of Shame: Chantal All Night Long (doc) 　　1988 Frühstück Für Feinde 　　1984/85 Die Splitter Der Eisbombe 　　1983 Die Mission - Film vom Frieden und seinem Krieg

自小时候父母离异，舞台演员远山卓便和父亲（fù qīn）鲜有来往。某日突然得悉父亲患上认知障碍，而其（qí）现任妻子——当年抛妻弃子的引火线，却不知所踪（suǒ zōng）。父子俩忽然多了相处的时光，多年来的（de）空白终有机会被填补。然而父亲的记忆（jì yì）开始变得支离破碎，与现实日渐脱节；儿子👦越是尝试（cháng shì）了解父亲，越是发现被填补的缺口，似乎只是（zhǐ shì）另一个缺口的开端。倘若系铃人已对铃（líng）失去记忆，这个铃还能被解开吗？在（zài）国际影展崭露头角的导演近浦启与为是枝裕（zhī yù）和多次掌镜的摄影师山崎裕携手带来新作（xīn zuò），全片以35mm菲林拍摄，风格强烈，老戏骨藤龙也更（gèng）凭借炉火纯青的演技荣获西班牙圣塞巴斯提昂国际（guó jì）电影节最佳主演奖。